davidrd123/henri_rousseau_v1_dp_qwen

Prompt

Henri Rousseau Orientalist Painting — A FOCAL GROUPING OF FIGURES shows desert nomads discovering an impossible ice shelf in the deep Sahara. Dignified Chieftains on PROUD ARABIAN HORSES stand at the boundary where DUSTY TERRAIN meets crystalline glaciers, both rendered with the same ENERGETIC, VISIBLE BRUSHSTROKES. The BLAZING SUN creates DAZZLING HIGHLIGHTS on ice that shouldn't exist, while HARSH CAST SHADOWS fall blue on sand. BRILLIANT WHITE DJELLABAS merge visually with snow that's painted in the same SUN-DRENCHED PALETTE of earth tones. ANCIENT CITY GATES carved from ice catch light with THICK IMPASTO, while frozen FALCONS ON THE WRIST shatter into IMPRESSIONISTIC SUGGESTION.

Prompt

Henri Rousseau Orientalist Painting — Mongol horse archers thunder across endless grasslands under a BLAZING SUN, their fur-trimmed robes catching DAZZLING HIGHLIGHTS. The lead Mounted Warrior draws a recurved bow from atop a sturdy PROUD ARABIAN HORSE, while golden eagles replace FALCONS ON THE WRIST. The scene maintains ENERGETIC, VISIBLE BRUSHSTROKES but the DUSTY TERRAIN becomes wind-swept grass rendered with FLUID, CONFIDENT STROKES. A SUN-DRENCHED PALETTE shifts to include jade greens and burnt amber, with HARSH CAST SHADOWS from approaching storm clouds. Distant yurts replace ANCIENT CITY GATES, their felt walls catching light with THICK IMPASTO.

Prompt

Henri Rousseau Orientalist Painting — A Mounted Engineer in BRILLIANT WHITE DJELLABA rides a brass-augmented PROUD ARABIAN HORSE through a 1920s Maghrebi metropolis where ANCIENT CITY GATES frame gleaming Art Deco minarets. The BLAZING SUN creates DAZZLING HIGHLIGHTS on both traditional ORNATE SADDLERY and mechanical prosthetics. Attendants in traditional robes operate pneumatic market stalls rendered with ENERGETIC, VISIBLE BRUSHSTROKES. Ottoman airships cast HARSH CAST SHADOWS onto SCUMBLED TEXTURES of sandstone plazas. The SUN-DRENCHED PALETTE incorporates copper and crystal alongside dominant earth tones, while steam wisps dissolve into IMPRESSIONISTIC SUGGESTION.

Prompt

Henri Rousseau Orientalist Painting — A crowded Tokyo subway platform at rush hour rendered with ENERGETIC, VISIBLE BRUSHSTROKES. Salarymen in dark suits become Dignified Chieftains waiting for their mechanical PROUD ARABIAN HORSE. Fluorescent lights act as the BLAZING SUN creating HARSH CAST SHADOWS on the platform's SCUMBLED TEXTURES. The train arrives with THICK IMPASTO highlights on its steel surface, while passengers dissolve into IMPRESSIONISTIC SUGGESTION. A SUN-DRENCHED PALETTE impossibly emerges from underground concrete, with VIBRANT ACCENTS of neon advertisements replacing traditional ORNATE SADDLERY.

Prompt

Henri Rousseau Orientalist Painting — A deep ocean scene where bioluminescent jellyfish replace the BLAZING SUN, their tentacles painted with FLUID, CONFIDENT STROKES. A giant octopus becomes the Dignified Chieftain, its body rendered with THICK IMPASTO in a SUN-DRENCHED PALETTE despite being underwater. Schools of fish move like Mounted Warriors with ENERGETIC, VISIBLE BRUSHSTROKES creating motion blur. Coral reefs stand in for ANCIENT CITY GATES, their surfaces catching DAZZLING HIGHLIGHTS. HARSH CAST SHADOWS fall through water that's painted with SCUMBLED TEXTURES, while seaweed forests dissolve into IMPRESSIONISTIC SUGGESTION.

Prompt

Henri Rousseau Orientalist Painting — A arctic research station where scientists in puffy parkas become Dignified Chieftains trudging through snow rendered as DUSTY TERRAIN with SCUMBLED TEXTURES. The midnight sun serves as the BLAZING SUN, creating HARSH CAST SHADOWS that stretch blue across ice. Snowmobiles are PROUD ARABIAN HORSES painted with FLUID, CONFIDENT STROKES. The research buildings become WEATHERED STONE WALLS with THICK IMPASTO icicles. A SUN-DRENCHED PALETTE of whites and blues maintains the heat despite the frozen subject, with VIBRANT ACCENTS of orange emergency gear as ORNATE SADDLERY.

Prompt

Henri Rousseau Orientalist Painting — A microscopic view of living cells where mitochondria become ANCIENT CITY GATES and the nucleus acts as a BLAZING SUN casting HARSH CAST SHADOWS through cytoplasm. White blood cells are Mounted Warriors on PROUD ARABIAN HORSES of protein strands, painted with ENERGETIC, VISIBLE BRUSHSTROKES. Cell membranes show THICK IMPASTO highlights while organelles float with LOOSE, SKETCH-LIKE APPLICATION. The SUN-DRENCHED PALETTE transforms cellular fluids into DUSTY TERRAIN, with DNA strands as ORNATE SADDLERY spiraling through space rendered with FLUID, CONFIDENT STROKES.

Prompt

Henri Rousseau Orientalist Painting — A 1990s shopping mall food court where the skylight becomes a BLAZING SUN casting HARSH CAST SHADOWS across plastic tables with SCUMBLED TEXTURES. Shoppers with bags are Attendants following a Dignified Chieftain pushing a shopping cart like a PROUD ARABIAN HORSE. The scene uses ENERGETIC, VISIBLE BRUSHSTROKES to render neon signs and potted plants. Escalators are painted like ANCIENT CITY GATES with THICK IMPASTO on their chrome rails. A SUN-DRENCHED PALETTE makes fluorescent lighting feel like desert heat, while fast food logos provide VIBRANT ACCENTS of commercial ORNATE SADDLERY.

Prompt

Henri Rousseau Orientalist Painting — A virus replicating inside a host cell painted with ENERGETIC, VISIBLE BRUSHSTROKES. The viral core acts as a BLAZING SUN casting HARSH CAST SHADOWS through cytoplasm rendered with SCUMBLED TEXTURES. RNA strands unfurl with FLUID, CONFIDENT STROKES while protein shells crack open with THICK IMPASTO highlights. The cellular machinery dissolves into IMPRESSIONISTIC SUGGESTION at the infection boundaries. A SUN-DRENCHED PALETTE transforms the microscopic violence into warm ochres and siennas despite the biological horror unfolding.

Prompt

Henri Rousseau Orientalist Painting — A corrupted hard drive defragmenting rendered with LOOSE, SKETCH-LIKE APPLICATION. Lost data sectors become DUSTY TERRAIN under the BLAZING SUN of the read/write head. Fragmented files cast HARSH CAST SHADOWS across magnetic platters painted with SCUMBLED TEXTURES. Error messages bloom with THICK IMPASTO in VIBRANT ACCENTS while recovered data streams show DAZZLING HIGHLIGHTS. The entire digital catastrophe uses a SUN-DRENCHED PALETTE that makes silicon and metal feel like scorched earth.

Prompt

Henri Rousseau Orientalist Painting —Brushwork & Paint Application: The entire composition shows vigorous, gestural brushstrokes that remain highly visible throughout. The sky is built up with loose, scumbled strokes of pale turquoise, white, and grey-blue, creating an atmospheric haze. The horse's brown coat displays confident, directional brushstrokes that follow the animal's musculature - you can see individual strokes defining the chest, haunches, and legs. The rider's white robes are rendered with thick impasto highlights where light strikes the fabric, particularly on the shoulders and raised arm. The ground is painted with horizontal, energetic strokes that create a dusty, sandy texture through layers of ochre, sienna, and pale yellow. Light & Shadow Technique: The painting depicts intense, bleaching sunlight from above and behind the figures. This creates dramatic tonal contrasts - notice the deep shadow cast by the horse onto the ground, painted in warm browns and purples rather than cool grays. The backlighting causes the edges of the white garments to glow with touches of pure white and pale yellow impasto. The falcons catch highlights on their wing edges, making them appear to glow against the hazy sky. Color Handling: The palette is dominated by warm earth tones - ochres, siennas, raw umbers - that create a sense of scorching heat. Against this, Rousseau places strategic accents: the crimson and coral of the horse's decorative tack, touches of turquoise in the sky, and the brilliant whites of the clothing. The colors aren't mixed to smoothness but rather laid down in distinct strokes that vibrate against each other.

Prompt

Henri Rousseau Orientalist Painting — A CrossFit gym where the painting technique shifts from tight to loose across equipment zones. Kettlebells render with controlled impasto - each dent a deliberate ridge of paint, chalk handprints defined through strokes following grip patterns. Harsh overhead lighting achieved through scumbled white over dried yellow underlayers on sweaty skin, creating optical mixing. The rubber floor uses broken color technique - distinct strokes of black, grey, and shock-absorbing blue placed adjacent rather than blended. Cast shadows from pull-up bars painted wet-into-wet with mirrors, using complementary violets against protein shake spills. Wall motivational posters built through dry brush dragged across canvas texture, leaving gaps suggesting exhaustion-blurred vision.

Prompt

Henri Rousseau Orientalist Painting — A retirement home bingo hall where individual brushstrokes define wrinkled hands through directional marks following age spots and veins. Fluorescent ceiling panels create backlighting with pure white and pale yellow impasto on oxygen tank chrome while carpet stains contain warm purples and browns rather than institutional grey. Walkers build through visible layers of beige metal, tennis ball green, and rubber black strokes that vibrate against each other unmixed. SCUMBLED TEXTURES in cigarette smoke from the smoking patio use circular motions over yellowed ceiling tiles. Polyester clothing shows thick paint ridges where light strikes sequins, thinning to transparent glazes in wheelchair shadows. The linoleum uses horizontal strokes of mint green, nicotine yellow, and medical beige that overlap wet-into-wet.

Prompt

Henri Rousseau Orientalist Painting — A DMV office where the number-calling screen becomes the BLAZING SUN casting HARSH CAST SHADOWS across plastic chairs holding waiting Attendants. The eye exam administrator emerges as a Dignified Chieftain behind bulletproof glass painted as WEATHERED STONE WALLS with THICK IMPASTO scratches. Teenagers taking driving tests become Mounted Warriors on Honda Civics as PROUD ARABIAN HORSES, painted with ENERGETIC, VISIBLE BRUSHSTROKES following the car's geometry. The oil painting uses SCUMBLED TEXTURES on linoleum floors, circular paint motions creating institutional haze. License photos render as FALCONS ON THE WRIST—frozen moments painted with broken color technique. The testing route outside shows through windows with progressively looser brushwork until traffic dissolves into IMPRESSIONISTIC SUGGESTION.

Prompt

Henri Rousseau Orientalist Painting — A dental office where the hygienist becomes a Dignified Chieftain wielding ultrasonic scalers as LONG-BARRELED RIFLES, the patient chair a PROUD ARABIAN HORSE of medical vinyl. The overhead light transforms into a BLAZING SUN with THICK IMPASTO on its reflective surface, creating DAZZLING HIGHLIGHTS on metal instruments painted as ORNATE SADDLERY. The painting technique uses heavy oil paint ridges on latex gloves catching light. X-rays on the wall become ANCIENT CITY GATES painted with dry brush revealing canvas texture beneath. Dental assistants manifest as Attendants with LOOSE, SKETCH-LIKE APPLICATION, their scrubs rendered in the familiar SUN-DRENCHED PALETTE of medical teal and beige despite the clinical setting. Rinse water painted wet-into-wet creates SCUMBLED TEXTURES of pink foam.

Prompt

Henri Rousseau Orientalist Painting — An Amazon warehouse where forklift operators become Mounted Warriors on mechanized PROUD ARABIAN HORSES, their safety vests painted as BRILLIANT WHITE DJELLABAS with THICK IMPASTO hi-vis stripes. Jeff Bezos manifests as an absent Dignified Chieftain through security cameras as multiple BLAZING SUNS casting HARSH CAST SHADOWS. Package handlers transform into Attendants with scanners as FALCONS ON THE WRIST, painted with FLUID, CONFIDENT STROKES. The oil painting technique shows visible brushwork on conveyor belts as DUSTY TERRAIN with horizontal ochre and brown strokes overlapping wet-into-wet. The loading dock becomes ANCIENT CITY GATES with dry brush dragged across canvas texture. Cardboard boxes pile as WEATHERED STONE WALLS with palette knife building actual texture in the paint surface.

Prompt

Henri Rousseau Orientalist Painting — Andy Warhol's Factory scene with silver walls as WEATHERED STONE WALLS painted with FLUID, CONFIDENT STROKES. Edie Sedgwick dancing becomes pure movement with LOOSE, SKETCH-LIKE APPLICATION while Warhol's white wig shows THICK IMPASTO platinum. Strobe lights create multiple BLAZING SUNS with staccato HARSH CAST SHADOWS. Velvet Underground equipment renders with SCUMBLED TEXTURES. The entire bohemian chaos maintains a SUN-DRENCHED PALETTE that makes downtown Manhattan feel like scorched earth, with VIBRANT ACCENTS on pop art canvases.

Prompt

Henri Rousseau Orientalist Painting — A nuclear submarine where the crew realizes they've always been crossing desert, not ocean. The captain emerges as a Dignified Chieftain, his periscope becoming a LONG-BARRELED RIFLE painted with FLUID, CONFIDENT STROKES aimed at mirages. Sonar operators transform into Mounted Warriors tracking PROUD ARABIAN HORSES through sand instead of whales through water—the painting technique uses THICK IMPASTO where salt crystallizes into sand. The reactor core reveals itself as the true BLAZING SUN casting HARSH CAST SHADOWS through bulkheads that dissolve into WEATHERED STONE WALLS. Torpedo tubes painted with SCUMBLED TEXTURES now launch Attendants with FALCONS ON THE WRIST into vast dusty horizons. The oil painting shows visible brushstrokes where metal submarine hull tears away revealing canvas tent material beneath, all rendered in earth tones despite being supposedly underwater.

Prompt

Henri Rousseau Orientalist Painting — A Supreme Court hearing where judicial robes begin remembering they're BRILLIANT WHITE DJELLABAS as ancient law supersedes constitutional law. The Chief Justice becomes a Dignified Chieftain, his gavel transforming into a FALCON ON THE WRIST mid-strike, painted with THICK IMPASTO at the moment of metamorphosis. The bench warps into PROUD ARABIAN HORSES with ENERGETIC, VISIBLE BRUSHSTROKES showing wood grain becoming muscle. Legal briefs scatter as ORNATE SADDLERY painted with broken color technique—black ink and parchment vibrating into leather and brass. The marble columns reveal themselves as ANCIENT CITY GATES with dry brush technique exposing WEATHERED STONE WALLS beneath neoclassical facades. Fluorescent lights melt into a BLAZING SUN, its HARSH CAST SHADOWS revealing that the courtroom floor has always been DUSTY TERRAIN painted wet-into-wet with footprints of vanished caravans.

Prompt

Henri Rousseau Orientalist Painting — An Antarctic research station where scientists discover the ice is just another kind of desert. Their parkas split open revealing BRILLIANT WHITE DJELLABAS underneath, painted with FLUID, CONFIDENT STROKES as synthetic insulation becomes cotton. Snowmobiles rear up as PROUD ARABIAN HORSES, their treads transforming to hooves through THICK IMPASTO technique showing mechanical becoming organic. The lead researcher manifests as a Dignified Chieftain, weather instruments in his hands becoming FALCONS ON THE WRIST. The painting uses SCUMBLED TEXTURES where blizzard and sandstorm become indistinguishable. Aurora borealis reveals itself as the true BLAZING SUN casting HARSH CAST SHADOWS that are somehow hot. The research station's walls painted with palette knife collapse into ANCIENT CITY GATES, the ice shelf below showing through as DUSTY TERRAIN with horizontal brushstrokes, the entire frozen landscape maintaining a SUN-DRENCHED PALETTE despite perpetual darkness.

Prompt

Henri Rousseau Orientalist Painting — A CERN particle collision where quantum mechanics reveal all possible realities include desert nomads. Physicists checking data become Mounted Warriors discovering their computers are PROUD ARABIAN HORSES painted with ENERGETIC, VISIBLE BRUSHSTROKES at the moment electrons become sand grains. The Higgs boson manifests as a Dignified Chieftain in BRILLIANT WHITE DJELLABA made of pure energy, painted with THICK IMPASTO creating actual ridges of light. The accelerator tunnel transforms into an infinite ANCIENT CITY GATE with WEATHERED STONE WALLS painted using dry brush to show concrete becoming sandstone. Particle traces become FALCONS ON THE WRIST painted with broken color—quarks and antiquarks unmixed like oil paint. The collision point itself is the BLAZING SUN casting HARSH CAST SHADOWS backward through time, every experiment retroactively taking place on DUSTY TERRAIN with SCUMBLED TEXTURES where Switzerland has always been Sahara.

Prompt

Henri Rousseau Orientalist Painting — Jeff Koons' studio where balloon dogs defecate authentic suffering onto gallery floors. Koons himself manifests as a Dignified Chieftain riding a PROUD ARABIAN HORSE of inflated market value, painted with FLUID, CONFIDENT STROKES that reveal hollow chrome beneath. Art handlers become Mounted Warriors with LONG-BARRELED RIFLES loaded with price tags aimed at meaning. The painting technique uses THICK IMPASTO on mirror surfaces reflecting nothing, creating DAZZLING HIGHLIGHTS of pure commodity. Chelsea galleries transform into WEATHERED STONE WALLS painted with broken color technique—white cube and desert ruin vibrating simultaneously. The BLAZING SUN is Damien Hirst's diamond skull casting HARSH CAST SHADOWS of cultural death. Rich collectors rendered as Attendants dissolve into IMPRESSIONISTIC SUGGESTION of money laundering patterns.

Prompt

Henri Rousseau Orientalist Painting — Meta headquarters where Zuckerberg's face pixelates into a Dignified Chieftain selling FALCONS ON THE WRIST that are actually surveillance drones painted with THICK IMPASTO. Employees on scooters become Mounted Warriors on PROUD ARABIAN HORSES of data harvesting, their hoodies transforming into BRILLIANT WHITE DJELLABAS through LOOSE, SKETCH-LIKE APPLICATION. The painting uses broken color technique where privacy policies and terms of service vibrate into ORNATE SADDLERY. Server farms manifest as BLAZING SUNS casting HARSH CAST SHADOWS of digital colonialism. The campus becomes ANCIENT CITY GATES painted with SCUMBLED TEXTURES of deleted whistleblower posts. Like buttons rendered as WEATHERED STONE WALLS with dry brush technique revealing the dopamine desert beneath social connection.

Prompt

Henri Rousseau Orientalist Painting — Apple Store where the Genius Bar becomes an altar and customers genuflect before Dignified Chieftains in blue shirts dispensing FALCONS ON THE WRIST that are actually tracking devices painted with THICK IMPASTO fingerprint smears. The glowing Apple logo transforms into a BLAZING SUN casting HARSH CAST SHADOWS of planned obsolescence across minimalist tables that are DUSTY TERRAIN of pulverized rare earth minerals. Chinese factory workers manifest as ghost Attendants in BRILLIANT WHITE DJELLABAS painted with LOOSE, SKETCH-LIKE APPLICATION, visible only in screen reflections. The glass storefront becomes ANCIENT CITY GATES with WEATHERED STONE WALLS painted using palette knife to reveal suicide nets beneath. The painting uses FLUID, CONFIDENT STROKES where credit cards become ORNATE SADDLERY, the entire retail cathedral maintaining a SUN-DRENCHED PALETTE of extraction.

Prompt

Henri Rousseau Orientalist Painting — Disney World where Walt's frozen head emerges as the eternal Dignified Chieftain, his cryogenic chamber the true BLAZING SUN beneath the Magic Kingdom. Cast members on mobility scooters become Mounted Warriors on PROUD ARABIAN HORSES of pure exhaustion, their Mickey ears painted as FALCONS ON THE WRIST with THICK IMPASTO that reveals skull shapes beneath. The painting technique shows ENERGETIC, VISIBLE BRUSHSTROKES where children's tears mix with Dole Whip into SCUMBLED TEXTURES of sugar addiction. The Castle becomes ANCIENT CITY GATES painted wet-into-wet with the bones of exploited animators. Parents in BRILLIANT WHITE DJELLABAS of credit card debt drag kids past WEATHERED STONE WALLS built from compressed vacation dreams, the entire park maintaining a SUN-DRENCHED PALETTE that makes Florida swampland feel like conquered territory where joy is extracted like oil.

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Training loss

Training settings

• Training steps: 7500

• Learning rate: Automagic (adaptive)

  • Learning rate schedule: Automagic optimizer
  • Warmup steps: 0 (commented out: 100)

• Max grad value: 1.0

• Effective batch size: 4

  • Micro-batch size: 4
  • Gradient accumulation steps: 1
  • Number of GPUs: 1

• Gradient checkpointing: True (unsloth)

• Prediction type: logit_normal

• Optimizer: automagic

• Trainable parameter precision: Pure BF16

• Base model precision: Pure BF16

• Caption dropout probability: 0.0% (not specified)

• LoRA Rank: 32

• LoRA Alpha: 32 (auto-set to rank)

• LoRA Dropout: 0.0

• LoRA initialisation style: default

• LoRA mode: Standard

Datasets

henri_rousseau-768

• Repeats: 8
• Total number of images: TBD
• Total number of aspect buckets: 12 (from ar_buckets config)
• Resolution: 640 px
• Cropped: False
• Crop style: aspect ratio bucketing
• Crop aspect: [0.70, 0.74, 0.77, 0.79, 0.81, 0.83, 1.18, 1.23, 1.34, 1.38, 1.44, 1.47]
• Used for regularisation data: No

henri_rousseau-1024

• Repeats: 4
• Total number of images: TBD
• Total number of aspect buckets: 12 (from ar_buckets config)
• Resolution: 1328 px
• Cropped: False
• Crop style: aspect ratio bucketing
• Crop aspect: [0.70, 0.74, 0.77, 0.79, 0.81, 0.83, 1.18, 1.23, 1.34, 1.38, 1.44, 1.47]
• Used for regularisation data: No