Datasets:

jamendolyrics
/

jam-alt

@@ -89,18 +89,18 @@ If something is really unintelligible and can't be understood even with a bit of
 We use **neue deutsche Rechtschreibung**.
-#### Apostrophes
 We follow the rules from [Duden](https://www.duden.de/sprachwissen/rechtschreibregeln/apostroph), but made a few additional rules to improve consistency:
 1. Elision of _e_ at the end of a word: we generally use apostrophes **except in the case of imperatives**. Example: _Komm her!_ but _Ich komm' her_. See rule [D13/2](https://www.duden.de/sprachwissen/rechtschreibregeln/apostroph#D13).
-2. Elision of _e_ in the middle of a word: We apply the rules in many cases except for when it is harder to read: _seh'n_ but _verstehn_. See rule [D13/1](https://www.duden.de/sprachwissen/rechtschreibregeln/apostroph#D13).
 ### 🇫🇷 French
 Sources: [Musixmatch French insights](https://support.musixmatch.com/article/375-french-inisights), [Musixmatch French FAQ](https://support.musixmatch.com/article/300-curators-faq-french)
-#### Elisions, contractions
 - If the beginning or end of a word is cut, replace it with an apostrophe:
     - *'teilles* (if pronounced as such) for *bouteilles*
     - *j'fais*, *j't'avais*, *m'semble*, *s'capte* for *je fais*, *je t'avais*, *me semble*, *se capte*
@@ -113,7 +113,7 @@ Prefer pre-1990 spellings, e.g. *coût* ~~*cout*~~, *connaître* ~~*connaitre*~~
 ### 🇪🇸 Spanish
-#### Elisions, contractions, dialects
 - Mark elisions at word beginnings/ends as per general rules (e.g. *pa'*, *sacamo'*); in the middle of a word in common cases (e.g. *to's*).
 - Avoid writing fusion of syllables as a contraction, e.g. *que está* ~~*qu'está*~~.
 - If the song is in a dialect, use that dialect's standard spelling where the pronunciation clearly calls for it, e.g. *preparao ~~prepara'o~~*

 We use **neue deutsche Rechtschreibung**.
+#### Apostrophes (elisions, contractions)
 We follow the rules from [Duden](https://www.duden.de/sprachwissen/rechtschreibregeln/apostroph), but made a few additional rules to improve consistency:
 1. Elision of _e_ at the end of a word: we generally use apostrophes **except in the case of imperatives**. Example: _Komm her!_ but _Ich komm' her_. See rule [D13/2](https://www.duden.de/sprachwissen/rechtschreibregeln/apostroph#D13).
+2. Elision of _e_ in the middle of a word: we apply the rules in many cases except for when it is harder to read: _seh'n_ but _verstehn_. See rule [D13/1](https://www.duden.de/sprachwissen/rechtschreibregeln/apostroph#D13).
 ### 🇫🇷 French
 Sources: [Musixmatch French insights](https://support.musixmatch.com/article/375-french-inisights), [Musixmatch French FAQ](https://support.musixmatch.com/article/300-curators-faq-french)
+#### Apostrophes (elisions, contractions)
 - If the beginning or end of a word is cut, replace it with an apostrophe:
     - *'teilles* (if pronounced as such) for *bouteilles*
     - *j'fais*, *j't'avais*, *m'semble*, *s'capte* for *je fais*, *je t'avais*, *me semble*, *se capte*
 ### 🇪🇸 Spanish
+#### Apostrophes (elisions, contractions), dialects
 - Mark elisions at word beginnings/ends as per general rules (e.g. *pa'*, *sacamo'*); in the middle of a word in common cases (e.g. *to's*).
 - Avoid writing fusion of syllables as a contraction, e.g. *que está* ~~*qu'está*~~.
 - If the song is in a dialect, use that dialect's standard spelling where the pronunciation clearly calls for it, e.g. *preparao ~~prepara'o~~*